Grieg/Schumann: Piano concertos/Perahia. Maria João Pires pf LSO / Sir John Eliot Gardiner (LSO Live) 'The Schumann Concerto with Maria João Pires is conceptually similar to the version she made with Claudio Abbado – chosen tempi are near identical – except that here orchestral textures are maybe just a little lighter. 1. … Romance: The Piano Music of Clara Schumann review – a boldly assertive celebration. Whatever has been said about him, it should be acknowledged that he was prepared, and eager, to see his daughter become an accomplished pianist who could earn her living as such. The same goes for the joyful final movement, which is quite lovely but could use a little more of Florestan’s sprightly energy if not impetuousness. The Op. 54 (1841-45) [31:29] Introduction and Allegro appassionato Op. Review: Behzod Abduraimov Plays Debussy, Chopin Mussorgsky, Review: “Verklärte Nacht” – Rice, Skelton, BBC Symphony Orchestra, Gardner, Review: Hans Rott – Complete Orchestral Works, Vol.2 – Gürzenich Orchester Köln, Ward, Review: Charles Ives – Complete Symphonies – LAPO, Dudamel, Review: “Romance” – Isata Kanneh-Mason Plays Clara Schumann, Review: Schumann – Symphonies No. Schumann: Piano concerto, etc./Zacharias. The Classic Review was launched in 2018 for classical music lovers around the globe. 27 FRIEDRICH KALKBRENNER: Le rêve Op. Murray Perahia’s 1987 Schumann and Grieg concertos with Colin Davis remain the most recommendable digitally recorded pairing of these war-horses, and they bloom even more via Sony’s Expanded Edition remastering. Find album reviews, stream songs, credits and award information for Grieg, Schumann: Piano Concertos - Claudio Arrau, Christoph von Dohnányi on AllMusic - 2004 You are here: Home › Grieg/Schumann: Piano concertos/Perahia. 134 (1853) Jeno Jando (piano) Budapest Symphony Orchestra/Andras Ligetti (Op. 92 (1849) [15:44] Introduction and Concert-Allegro, Op. But this 1974 pairing of the Grieg and Schumann piano concertos reveals that the titan wasn't sleeping. A notable comparison here is Martha Argerich (either with Riccardo Chailly and the Gewandhausorchester Leipzig or with Harnoncourt and the Chamber Orchestra of Europe) – her notes seem to have a little more ‘snap’ and swinging rhythmic presence, giving the movement a brightness and vitality. Dvorak, Grieg, Schumann: Piano Concertos / Sviatos ... by Grieg, Edvard, Schumann, Robert on SuperAudio CD. * Schumann Piano Concerto in A Minor, Janis, Skrowaczewski, Minneapolis Symphony, Mercury Living Presence 432 011-2 (Includes the Tchaikovsky Piano Concerto No.1 with Menges and the London Symphony.). “Die Romantische Seele”R.Schumann – Piano Concerto, Variations form Piano Sonata No. The recording of Schumann's Piano Concerto is quite a different story. The performance is impressive; the interpretation speaks to the refined nature of the writing while remains passionate and honest, a valuable glimpse into the musical and emotional connection between Robert and Clara. It's an example of Hewitt's meticulous attention to detail that is always so evident, whether she's playing Bach or Messiaen. A highly recommended listen. Angela Hewitt, Deutsches Symphonie-Orchester Berlin/Lintu, he most striking thing about this recording on first encounter is not, the elegant, fluent playing of Angela Hewitt. I’m not entirely sure which recording it was of the Schumann Piano Concerto in A minor it was I listened to about 900 times while tackling the work’s analytical nuances for O Level exams in the UK in the early 1980s, but there have been so many recordings since it hardly matters. In particular, I felt that Jáuregui shows great expressivity throughout the movement each time Eusebius appears (the dreamy A-flat major section in the middle is very nice). Read and write album reviews for Schumann: Piano Concerto - Evgeny Kissin, Carlo Maria Giulini on AllMusic Normally it's a helter-skelter race to the finish, but here Hewitt and Hannu Lintu choose a surprisingly stately pace, reflecting Schumann's actual metronome marking and bringing out the movement's swinging, waltz-like character. Rudolf Serkin’s gaunt tone and impassioned phrasing, along with Eugene Ormandy’s robust, alert support, have long distinguished this 1964 recording of Schumann’s A minor concerto as one of the catalog’s finest. 54 recorded in the Italian Institute, Budapest 1 st – 6 th March 1988), BRT Philharmonic Orchestra/Alexander Rahbari (Op. There are many, many fine performances available: Fleisher, Zimerman, Pollini, Perahia, Kovacevich, Lupu, etc. Find album reviews, stream songs, credits and award information for Schumann: Piano Concerto; Fantasiestücke, Op.12 - Martha Argerich on AllMusic - 2005 - Why … 54, by the German Romantic composer Robert Schumann was completed in 1845 and is the composer's only piano concerto.The complete work was premiered in Dresden on December 4th of 1845. 54 (1846) Introduction and Allegro Appassionato Op. Robert SCHUMANN (1810-1856) Piano Concerto in A Minor Op. For example, the opening descending chords in the piano mark Florestan’s impassioned presence that quickly gives way to Eusebius’ delicate and sorrowful entrance. It remains very much at the forefront of my favourite works. Robert Schumann's "Piano Concerto" is well-known and should be in any classical music fan's collection already. The Piano Concerto in A minor, Op. 7 FERDINAND HILLER: Konzertstücke Op. by Jed … Jáuregui’s playing is elegantly restrained yet emotive, highlighting the romantic themes prevalent throughout the music. The profundity of the final F minor chords sounds like tolling bells dissipating into the distance. 14 Sonata (1836) was named “Concerto Without Orchestra” by Schumann’s publisher Tobias Haslinger, in an attempt for it to appeal to a wider audience. Robert SCHUMANN (1810 - 1856) Piano Concerto in A Minor, Op. Best service. These days, Schumann’s Cello Concerto is considered one of the most popular concertos written for the instrument, but it had a rocky start. I'm hard pressed to choose between them - both are wonderful. Please make no mistake, I would not be without these interpretations. Kanneh-Mason/Royal Liverpool PO/Mathieson (Decca) Two centuries after her birth, this tribute to Schumann … The Classic Review was launched in 2018 for classical music lovers around the globe. And for years, the fluent and bracing Serkin/Ormandy performance of Schumann’s underrated G major Introduction and Allegro Appassionato served as the version of reference, and still does in many … Artistic Quality: 9 Sound Quality: 9. She displays, as usual, a unique feel for the music and her technique is beyond reproach. Review by: David Hurwitz. He was 64 at the time (1984),not at all old, but there's a loss of edge here; we aren't given the crystalline, precise tone of the younger, commanding musician. Review by: Jed Distler. Gerhard Oppitz, Marc Andreae, and the Bamberg Symphony Orchestra offer the three principal piano and orchestra works by Robert Schumann as grouped in a concurrent release featuring Angela Hewitt, adding the piano transcription of the Op. It is one of the most widely performed and recorded piano concertos from the Romantic period. 86 Konzertstücke for four solo horns. Notes and Editorial Reviews. Complete your Schumann* - Grieg* - Berliner Philharmoniker, Krystian Zimerman, Herbert Von Karajan collection. The Orquestra Simfònica Camera Musicae presents a strong performance that matches the soloist’s overall musicality. 7, was composed by Clara Wieck, better known as Clara Schumann after her later marriage to Robert Schumann.She completed her only finished piano concerto in 1835, and played it first that year with the Leipzig Gewandhaus Orchestra, conducted by Felix Mendelssohn Read the review. Her perfect handling of the breathtakingly lovely opening of the Introduction and Allegro appassionato would melt the hardest of hearts. CLARA SCHUMANN: Piano Concerto in A minor Op. Find album reviews, stream songs, credits and award information for Schumann: Piano Concerto - Angela Hewitt, Hannu Lintu, Deutsches Symphonie-Orchester Berlin on AllMusic - 2012 - Angela Hewitt, known mostly for recordings of… Highly desirable and extremely rewarding. While this title was not well received by the likes of Liszt or Ignaz Moscheles (to whom the work was dedicated), it is in some ways an apt moniker that reflects its immensity. 20 Variations on a theme of Robert Schumann. 54 Piano Concerto was the product of a period of orchestrally-oriented output following marriage; completed in 1845, it was premiered by Clara. Made six years earlier, the younger orchestra had not quite come into its own, and the precision and meticulousness of the Tchaikovskyis not yet present. For various technical reasons, I doubt that anyone listening blind would identify this live Schumann concerto as coming from Michelangeli. We now have two Moravec performances of the Schumann Piano Concerto. Piano Concerto. Neither, however, would I be willing to give up the other performances named above. Jáuregui highlights this aspect while still maintaining the overall unity of the work. [A joyous and songful Schumann.] 3, ArabeskeClara Wieck-Schumann – Variations, Op. However, her Florestan is in some cases a little too subdued and could use more vigor and edge to portray the conflict between the two forces that drives the movement. Read our Best Of guides for classical music. Appearing as early as his Op. The most striking thing about this recording on first encounter is not the elegant, fluent playing of Angela Hewitt (that's a given in all her performances) but the tempo of the closing allegro vivace of the Piano Concerto. Appearing as early as his Op. I’d … She evokes a vibrant musicality from the deep, hymn-like quality of the opening to the delicate polyphony of the middle. 2 Papillons, “Florestan” is an embodiment of the bold extrovert while “Eusebius” is the contemplative introvert. Artistic Quality: 3 Sound Quality: 7. Sat 30 Jun 2012 … His approach is plain-spoken and rather broad, with no attempt at virtuoso flash. Get our periodic classical music newsletter with our recent reviews, news and beginners guides. Though not as expansive as the Fantaisie in the same key, the “Arabeske” in C Major that closes the album uses tonality both as a novel compositional device and as a means of reflection upon emotional conflict. 1 – Moog, Deutsche Radio Philharmonie, Milton, Review: Britten – Saint Nicolas, A Ceremony of Carols – BBC Concert Orchestra, Crouch End Festival Chorus, Temple, Read of the latest news in classical music, Looking for the best version of a classical music piece? All rights reserved. Review: “33” – Simon Ghraichy, Piano (DG) The Kreisleriana is a different story; The never-ending conflicts that comprise Schumann’s big piano cycles are met with outstanding sensitivity, and the tone, pedal and phrasing control are all superb. 1 and 3 – LSO, Gardiner, Review: Schumann – Fantasy, Kreisleriana – Yeol Eum Son, Piano, Review: Strauss – Also sprach Zarathustra, Don Juan, Till Eulenspiegel – Urbański, Review: Rimsky-Korsakov – Orchestral Works – Oslo Philharmonic, Vasily Petrenko, Review: Monteverdi – il terzo libro de’ madrigali – Alessandrini, Review: “Dear Mademoiselle” – Astrig Siranossian, Cello, Review: Saint-Saëns – Chamber Works – Chamayou, Capuçon, Moreau, Review: “Penderecki’s Sinfonietta(s)” – Sinfonietta Cracovia, Jurek Dybał, Review: Brahms – Piano Concerto No. The Schumann piano concerto was the work that transformed my musical listening from the popular music of the 1970s and 1980s to classical. In every bar Richter is so oriignal that instead of hearing a warhorse among warhorses, you feel you've never heard the Grieg concerto before. Discover releases, reviews, track listings, recommendations, and more about Schumann* - Grieg* - Berliner Philharmoniker, Krystian Zimerman, Herbert Von Karajan - Klavierkonzerte • Piano Concertos at Discogs. The Op. 134 (1853) [14:47] Angela Hewitt (piano) Deutsches Symphonie-Orchester Berlin/Hannu Lintu rec. This work contains an interesting psychological component that also resides in many of Schumann’s other works: the relationship between opposing sides of his personality. The Quasi Variazioni movement featured on this album is perhaps the most poignant of the sonata and one of Jáuregui’s best performances: she has a breathtaking sound quality in the delicate and moving lyricism of the upper voice and the resonant, swirling bass line (also thanks to the fine Bösendorfer grand she plays). It covers new album reviews by knowledgeable and independent writers, as well as in-depth guides and news. The Piano Concerto in A minor, Op. Throughout, one can hear its strength as a full force but there are also beautiful moments of chamber-style textures, such as the fine wind ensemble playing in the first movement. The magic is all in the phrasing, where Richter was peerless, and of course in his lion … The other one (on DOR-90172, actually recorded later than this one), with the Dallas Symphony, is paired with the Brahms Piano Concerto No. This Argerich performance is just as fiery as you would expect from her. Similarly to the Piano Concerto, it was conceived more as a “fantasy” than a proper three-movement concerto, and compared with other middle 19th-century cello concertos, it is less preoccupied with virtuosity display of the soloist than with the musical statement and dialogue … Hyperion - 68240; CD; Share This Review: Latest ClassicsToday Insider Reviews: Reference Recording: Charles Rosen’s Distinctive Diabellis. The principal problem with Christian Zacharias’ conducting of the Schumann concerto is this: he can’t do it. 15-18 August 2011, Jesus-Christus-Kirche, Berlin HYPERION CDA67885 [62:02] I’m not entirely sure which recording it was … Schumann: Piano Concerto – review Angela Hewitt, Deutsches Symphonie-Orchester Berlin/Lintu (Hyperion) Stephen Pritchard . No part of this publication may be reproduced, distributed, or transmitted in any form or by any means. Great prices. Howard Shelley (piano) Tasmanian Symphony Orchestra, Howard Shelley. Clara Schumann was born in Leipzig in 1819 and her father Friedrich Wieck, a piano teacher, tutored her as a pianist from an early age. Schumann’s Piano Concerto is heard so often that its originality can be taken for granted. 113 HENRI HERZ: Rondo de concert Op. 2 Papillons, “Florestan” is an embodiment of the … Robert Schumann’s Op. Her playing from from 2:07 until the return of the C major section expresses a nuanced yet painful longing, and in the final section (5:21 onwards) this feeling now takes on a less anguished form; her tender sensitivity and the key of F major help create a sense of gentle reminiscence. This work contains an interesting psychological component that also resides in many of Schumann’s other works: the relationship between opposing sides of his personality. It covers classical music reviews, as well as in-depth guides and classical music news. You are here: Home › Schumann: Piano concerto, etc./Zacharias. Clara Schumann is represented with a set of variations of her own – the Op. Seventy-four-year-old pianist Alfred Cortotis also not heard at … 54 Piano Concerto was the product of a period of orchestrally-oriented output following marriage; completed in 1845, it was premiered by Clara. If I have any preference, it's for the warmer sound of the Czech Philharmonic, due in part to the woodier woodwinds. Fast delivery. 92 (1849) Introduction and Allegro Op. 113 . 20Judith Jáuregui – PianoOrquestra Simfònica Camera MusicaleTomàs Grau – Conductor, Read more classical music reviews or visit The Classic Review Amazon store. In her interpretation, Jáuregui effectively expresses the relationship between these two characters. Order from your preferred classical music CD store - ArkivMusic. In Die Romantische Seele, Judith Jáuregui presents works by Robert and Clara Schumann, exploring the themes of love and longing that underlie many of their compositions. 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